Pliny the Younger, for example, celebrates Trajan in his panegyric as a wise and just emperor and a moral man. von: Depeyrot, Georges Ort/Verlag/Jahr: (2007) Optimo principi : (1) Iconographie, monnaie et propagande sous Trajan. Unfortunately, the folio is very rare and only held in Britain in university libraries at Birmingham, Liverpool, Oxford (Sackler Library), University College London, University of London Senate House Libraries (ULRLS), and the Victoria and Albert Museum National Art Library. As soon as Rome was united with the rest of Italy it became the kingdom’s capital, at which point the sleepy papal town with its massive areas of, The 1861-62 matrices have been used to produce various sets of casts which are extant today. For the past six years Gelu Florea, an archaeologist from Babeș-Bolyai University in Cluj-Napoca, has spent summers excavating the site. Recent conservation studies have failed to locate any convincing examples of remaining paint (Conti 2000, 246). 1969: Die Trajanssäule, Bucaresti and Bonn, Francesi 1988:  La Colonna Traiana e gli artisti francesi da Luigi XIV a Napoleone I, Roma, Froehner, W. 1872-74: La Colonne Trajane, Paris, Galinier, M. 2007: La colonne Trajane et les Forums impériaux, Collection de l’École française de Rome 382, Roma, Gori, A.F. A storm indicated to the Romans (foreground) that the god Jupiter, with his thunderbolts, was on their side. There is never any substitute for studying an original monument or artwork, where possible. Assembled casts of Trajan’s Column, Casts Court, Victoria and Albert Museum, London (UK). One contemporary chronicler boasted that the conquest yielded a half million pounds of gold and a million pounds of silver, not to mention a fertile new province. Trajan was a Roman emperor who ruled from A.D. 98 until his death in A.D. 117. The emperor is the story’s hero. This is carved in the round. The Biography of a City, Harmondsworth, Hungerford Pollen, J. obs., exhibition The March of Rome. Traces of buildings remain, a mix of original stones and concrete reproductions, the legacy of an aborted communist-era attempt to reconstruct the site. Gori 1752). A similar section of several windings was made for the Museum für Antike Schiffahrt, Mainz (Germany) in order to display the Column’s depiction of Roman shipping (Scenes XXXII-V, LXXIX-LXXXVI mounted out of order). 2001: Marin, L. 1988: ‘Leggibilità e visibilità della storia’, in. There’s not much fighting in its depiction of the two wars. In 101 Trajan moved to punish the troublesome Dacians. Single cast sections are housed in the covered area of the Forum of Trajan libraries in Rome (CL-LV), and in the collection of the Romanian Academy, Rome (sections of LXXV, XCIII, CXIX). Photographic coverage of the Column frieze have been attempted at a distance using telephoto lenses, as in the worst book ever published on the subject (Rossi 1971). Trajan’s Column, sword grip carved in the round (XL.20). C. de Mourges frères Collection americana Digitizing sponsor Google Book from the collections of Harvard University Language French “The Dacian women torturing Roman soldiers? 1982: Trajan’s Army on Trajan’s Column, London, Romanelli, P. 1942: La Colonna Traiana: rilievi fotografici esequiti in occasionie dei lavori di protezione antiaerea, Roma, Rossi, L. 1971a: Trajan’s Column and the Dacian Wars, London, Santi Bartoli, P. 1672: Colonna Traiana, eretta dal Senato e Popolo Romano all’imperatore Traiano Augusto nel suo foro in Roma, Roma, Schneider, R.M. In Trajan’s day the thousand-mile journey from Rome would have taken a month at least. Classicising rulership style and celebration of victory in war could all be inspired by the best preserved edifice honouring Rome’s, Creation of a set of matrices for Napoléon III was a turning point in the study of the monument, partly because of the completeness of coverage, and vitally because of the date it was created (Froehner 1872-74, xix-xx; Agosti and Farinella 1988a, 595; D’Amato 2001, 230-33). La base de la Colonne de Trajan James Anderson (British, 1813 - 1877) 35.7 × 28.4 cm (14 1/16 × 11 3/16 in.) ... Critical analysis essay introduction jobs solution to problem essay structure definition new york fashion week essay, motivation at work essay culture mind map for essay free software (writing personal experience essay narrative childhood). (ed.) French (2) Les campagnes d‘analyse des patines sont à présentétendues à d'autres édifices tels que le Baptistère de Florence, le Musée du Louvre (Paris), la Colonne Trajane (Rome), le palais Corner-Spinelli à Venise, la cathédrale de York (UK) et celle de Malines (Belgique). Bar the occasional insurance difficulty, the Soprintendenza Archeologica di Roma liberally granted access to scholars and students (notably those attending British School at Rome Summer Schools). Kings François I in 1540 and Louis XIV in 1665-70 had partial cast sets made of the frieze and pedestal (Santi Bartoli was working for the latter monarch), and a complete cast of pedestal and shaft was created for Emperor Louis Napoléon III in 1861-62. The weeping Dacians poisoning themselves to avoid capture? Present-day city names are in parentheses. The overall height is 35.07m. The shaft of 17 drums stands on a square base and a torus, and is topped by a Doric capital, and a balcony formed by the top surface of the abacus. Or are they just thirsty? The incidence of stone weapons, standards and tools (e.g. Ils racontent, du point de vue des Romains, le déroulement des guerres que Trajan a menées en Dacie “The artist—and artists at this time didn’t have the freedom to do what they wanted—must have acted according to Trajan’s will,” he says. He was also one of the first emperors to be chosen, rather than to inherit power as part of a ruling family. During the second invasion Trajan didn’t mess around. There are major advantages of studying the original reliefs (in close conjunction with the casts). In this marble statue he wears armor typically used in triumphal parades. Scaffolding enclosing the Temple of Saturn and the Column of Phocas, Roma. This was dedicated to King Louis XIV, “il Traiano della Francia”. Assembled bronze cast of the lower helical frieze of Trajan’s Column, Chateau de St Germaine-en-Laye, France. Blog. In contrast, on the Column of Marcus Aurelius (also Carrara marble), the later sculptors executed very deep carving with shafted-weapons and other hand-held items entirely rendered in stone. Debate still simmers over the column’s construction, meaning, and most of all, historical accuracy. In 1992, once the scaffolding (and its deep shade) had been removed, it was possible to study the pedestal in detail. The Denarius under Trajan: New Metallurgical Analyses, Numismatic Chronicle. The first five scenes on the Column of Trajan depict Roman soldiers on the banks of the Danube River, poised to … Meet National Geographic’s artist-in-residence, Fernando Baptista, to see how the video was made. Trajan’s Column, Scene LXXV (Cichorius 1896-1900). La colonne de Trajan est un monument érigé à Rome pour célébrer la conquête de la Dacie par l’empereur Trajan: il évoque tous les moments forts de cette expansion territoriale. Jahrhunderts zu wünschen: „Glücklicher als Augustus, besser als Trajan“. 1. Colonne de Trajan - Rome (1).JPG 2,553 × 3,830; 8.83 MB Colonne de Trajan.JPG 3,240 × 4,320; 4.78 MB Colonne Trajane - Partie inférieure - Rome - Médiathèque de l'architecture et du patrimoine - APMH00025784.jpg 367 × 512; 47 KB Major episodes of casting of elements of Trajan’s Column have always been patronized by French rulers. Cast of helical frieze of Trajan’s Column, Scenes LXXIX-XXXVI, Museum fur Antike Schiffahrt, Mainz (Germany). The loot he brought back was staggering. For a long time controversy has continued over the nature of this patina: natural or man-made, and, if the latter, when applied? Are the Dacian nobles gathered around Trajan in scene after scene surrendering or negotiating? Map: Jerome N. Cookson, Alexander Stegmaier, and Matthew Twombly, NGM Staff. 2. The Dacians had no written language, so what we know about their culture is filtered through Roman sources. A Renaissance pope replaced the statue of Trajan with one of St. Peter, to sanctify the ancient artifact. “Instead of having what art historians love, which is a great master and creative mind,” he says, “the composition is being done by grunts at the stone face, not on a drawing board in the studio.”. Given the scope of such a recording project and the rarity of scaffolding access to the Column shaft, this long hiatus is perfectly understandable. Wer es genauer wissen möchte: Martin Galinier, La colonne de Trajan et les forums impériaux, Collection de L’Ecole francaise de Rome n° 382, Rome 2007 Trajan’s Column, general view looking NW (Cichorius 1896-1900). La colonne Trajane. Casts of heads and other objects, Thorvaldsenmuseet, Kobenhavn (Denmark). uniforms, weapons, equipment, and tactics the Roman Army used, anyone, no matter how wild their hair or crazy their fashion sense, could become a Roman, magnificently ornamented jewelry and weaponry. 2001: ‘Le incisioni e i disegni della Historia utriusque belli Dacici di Muziano-Ciacconio: nuovi documenti’, in Festa Farina 2001, 216-20, Brinkmann, V. and Wünsch, R. Trajan, who ruled from A.D. 98 until 117, when he fell ill and died, expanded the Roman Empire to its farthest boundaries. Agosti, G. and Farinella, V. 1988a: ‘Nuove ricerche sulla Colonna Traiana nel Rinascimento’, in Settis 1988, 549-97, Agosti, G. and Farinella, V. 1988b: ‘Il fregio della Colonna Traiana e i Francesi’, in Francesi 1988, 19-231, Bastianetto, B. DHA 20.1, 1994. Subsequent publications of Cichorius’ magisterial plates or of other photographs of the casts have been variable. The question of whether or not Trajan’s Column was originally painted is a vexed one. 1988: La Colonna Traiana, Torino, Silverio, F. 1989: La Colonna Traiana, Roma, Uginet, F.C. Ce contenu est une compilation d'articles de l'encyclopédie libre Wikipedia. However, all vertical and diagonal relationships between windings and Scenes are severed, and such a presentation predisposes the viewer to concentrate on ‘narrative’ progression, rather than other spatial features (just as in the main pictorial publications). Colonne trajan descriptive essay. Via dei Fori Imperiali, closed to traffic on a Sunday in the early 1980s. All these monarchs had direct campaigning interests in Italy and Rome, and to an extent in the Rhineland, the French equivalent to the northern frontier between the Roman empire and barbaricum. On le mit au rang des dieux. The latter is in the ascendant at present, related as it is also to the study of coloured marbles (Schneider 1986; Coulston 1990, 303-4; Nuccio and Ungaro 2002; Brinkmann and Wünsch 2005). Carving Trajan's Column discusses the process and techniques that actually produced the column and its decoration. The viewer is also much more inclined to consider the helical frieze as a three-dimensional undertaking and to observe relationships between windings and Scenes. Trajan colonized his newest province with Roman war veterans, a legacy reflected in the country’s modern name, Romania. Ein unikaler Sesterz Traians aus dem Jahr 98 n. Chr. Catalogo, Roma, Chacón, A. The message seems intended for Romans, not the surviving Dacians, most of whom had been sold as slaves. The historian Tacitus called them “a people which never can be trusted.” They were known for squeezing the equivalent of protection money out of the Roman Empire while sending warriors to raid its frontier towns. Sets are limited to three windings assembled as a section of shaft in the Museo della Civiltà Romana (Catalogo 1982, 689-92), and a few scenes in the Museum für Abgüsse in München. Colonnes capillaires de chromatographie gazeuse OPTIMA ® 1MS très faible dégradation London. Scaffolding enclosing the south-west half of the Arch of Septimius Severus, Roma. Optimo principi : (1) Iconographie, monnaie et propagande sous Trajan. Trajan’s Column, Scene CXLVI.9, detail of mail chiselling on an auxiliary infantryman (darker patches of surviving patina). There are no cultivated fields. Geburtstag, Teil I), 115–131. It was a show of power—we have the means, we have the power, we are the bosses.”. The images were made of the frieze before it was cleaned so show the sooty pollution deposits very clearly. Along with the Museo della Civiltà Romana, the V&A Cast Court and the Ashmolean Museum (Oxford, UK), this outstanding institution is one of the few research and teaching collections to survive the decline in fashion and consequent destruction of casts in the 20th century. (ed.) His work consisted of two volumes of commentary (the analytical first volume never appeared) and a folio of unbound plates. Le quartier Palais Royal - Louvre . The publication is invaluable for overall study, but the draughtspeople were not concerned primarily with sculptural detail, so recording of small Figure Type features was variable. Photographic coverage first burst on the academic world with the publication through phototypography, daguerreotype and photogravure of the 1861-62 casts (Froehner 1872-74. To create uniform conditions the photographs were taken at night with artificial light. Reinach 1909; Monti 1980, 69-83; Coarelli 1980, 118-27; Scheiper 1982, 158-81; Nardoni 1986, 137-74; Galinier 2007). Au-dessus de l'empereur, on distingue une aigle et une louve. The Archaeology of the Eternal City, Oxford, 332-53, Pinatel, C. 1988: ‘Les moulages de la Colonne Trajane à Versailles, provenant de l’Ecole des Beaux-Arts de Paris et antérieurs à 1800’, in Francesi 1988, 274-80, Pogorzelski, R. 2012: Die Traianssäule in Rom. C'est pas sorcier -Pont du Gard et Arènes de Nîmes : L'architecture gallo-romaine - Duration: 26:16. “It’s the biggest, most representative, most complex settlement in Dacia.”. In back-to-back wars fought between A.D. 101 and 106, the emperor Trajan mustered tens of thousands of Roman troops, crossed the Danube River on two of the longest bridges the ancient world had ever seen, defeated a mighty barbarian empire on its mountainous home turf twice, then systematically wiped it from the face of Europe. Definition was not very high but enough detail was visible for study. Column of Marcus Aurelius, Scene LXXVIII (deep relief carving and stone weapons). Bracelets: 3.9-4.7 in (diameter), Second Century B.C.–first century A.D. La colonne Trajane est un monument situé à Rome Many visits were made in the company of the latter scholar whose knowledge of Roman architectural planning and design is unrivalled. The casting of antique sculpture in plaster was a practice which took off during the Renaissance, flowered in the 17th century and continued through to the 19th century. Artists lowered themselves in baskets from the top to study it in detail. obs.). Early casts were also in circulation among artists for studio training and emulation. Quant à Trajan, empereur sans enfant, d'autres jeux de références le font apparaître comme le pater patriae de l'empire pacifié: le deuxième chapitre s'intéresse à l'iconographie de la colonne trajane où se multiplient les représentations de femmes et d'enfants barbares qui semblent s'adresser à l'empereur et aux soldats comme à des sauveurs et non comme à des ennemis. Appartenant au nouveau forum construit par Trajan et son architecte Apollodore de Damas à la suite des victoires sur les Daces, la colonne Trajane, inaugurée en 113 de notre ère, occupait le centre d'une cour située entre deux salles de bibliothèque, l'une grecque et l'autre latine, à l'arrière de la grande basilique (basilica Ulpia) qui barrait le fond du forum de Trajan. There had even been plans under Napoléon I for Trajan’s Column to physically join the other antique artworks looted from Napoli and Rome in Paris. These monuments included the Temples of Castor, Hadrian, Mars Ultor, Saturn, and Vespasian and Titus; the Arches of the Argentarii, Constantine, Gallienus, Severus and Titus; the Columns of Marcus Aurelius, Phocas and Trajan. “People desperately want to compare it to news media and films,” he says. The detail available is extraordinary, for example the wounded citizen soldier in Scene XL clearly has an incised thumbnail (XL.13). Type 501 00: Ø intérieur capillaires 0,36mm: Plage de mesure 0,2 ... 1mm2 / sec: Capillaires 0: Constante 0,001C: Référence 9.268 100: Type 501 03: Ø intérieur capillaires 0,47mm C'est pas sorcier 643,001 views Born in Italica (Seville in modern-day Spain), Trajan was the first Roman emperor born outside of Italy. Myself essay introduction guidelines essay sports are importance zoodles apa style research paper guidelines headings. (Victoria and Albert Museum). Bibliography : Jean-Jacques Hatt, Les Monuments gallo-romains de Paris, et les origines de la sculpture votive en Gaule romaine.I. There was even an experimental ban on motor traffic on Sundays to accustom Romans to the idea. The Cast Courts. Just look at the scenes that show the looting of Sarmizegetusa or villages in flames. Festa Farina, F., Calcani, G., Meucci, C., Conforto, M.L. 2. Get this from a library! Scaffolding at the cornice level of the Arch of Constantine, Roma. However, the latter not only limit three-dimensional appreciation of the sculptures, but the moulding process necessarily produced a matrix which could be detached from the sculpted stone. Not far from the altar rises a small spring that could have provided water for religious rituals. 2016 - Explorez le tableau « Apollodore de Damas » de Hubert Tdm, auquel 688 utilisateurs de Pinterest sont abonnés. (ed. Of course Coarelli’s speculating. An Archaeological Guide. Trajan’s Column, Scene XXXII.7-14 (one bow and one arrow carved in marble, two bows omitted from hands too shallowly sculpted to take metal inserts). Explore Trajan's Column in an interactive graphic. Archaeologists have scrutinized the scenes to learn about the uniforms, weapons, equipment, and tactics the Roman Army used. Photographer Kenneth Garrett is a frequent contributor to the magazine. The ruined city lies high in the mountains of central Romania. The Complete Etchings, II, San Francisco, Zanardi, L. 1988: ‘Evoluzione del deperimento della Colonna Traiana. It was fortunate that the sculpture of the helix is of such low relief, nevertheless there are many examples of open hands and heavy undercutting which had to be filled in to facilitate the detachment. Others were sent to Paris, Versailles (France) and Leiden (Netherlands), and others still were lost (Agosti and Farinella 1988a, 582-83, 591-94; 1988b, 49-53; Délivré 1988; Pinatel 1988; D’Amato 2001, 228-30). Baker, M. 1982. La colonne Trajane, Paris, Fabretti, R. 1683: De columna Traiani syntagma, Roma, Festa Farina, F., Calcani, G., Meucci, C., Conforto, M.L. Sa divine prévoyance assura, par l’adoption de Trajan, la prospérité de l’empire. dar. 7. Before the advent of photography it could provide a three-dimensional copy superior to contemporary illustrations. Today tourists crane their necks up at it as guides explain its history. TRAIANI) is a Roman triumphal column in Rome, Italy, that commemorates Roman emperor Trajan's victory in the Dacian Wars.It was probably constructed under the supervision of the architect Apollodorus of Damascus at the order of the Roman Senate.It is located in Trajan's Forum, north of the Roman Forum. Some 76 cast pieces made for Louis XIV survive in the Villa Medici, Rome. (Trajan was born to Roman parents in what is now Spain.). Ernest Oberländer-Târnoveanu, the head of the National History Museum of Romania, begs to differ: “They’re definitely Dacian prisoners being tortured by the angry widows of slain Roman soldiers.” Like much about the column, what you see tends to depend on what you think of the Romans and the Dacians. One set which covers the entire frieze and one side of the pedestal went from the papal collections to the Museo della Civiltà Romana at EUR, Rome (, Single cast sections are housed in the covered area of the Forum of Trajan libraries in Rome (CL-LV), and in the collection of the Romanian Academy, Rome (sections of LXXV, XCIII, CXIX). Indeed, Santi Bartoli represented the frieze horizontally rather than helically (at a diagonal across the page), and the details were given a Baroque makeover. Manufattura e diffusione dei calchi’, in Festa Farina et al. 2. [The text is available online]. The eroded carvings are hard to make out above the first few twists of the story. As soon as Rome was united with the rest of Italy it became the kingdom’s capital, at which point the sleepy papal town with its massive areas of disabitato became a major European seat of government (Caracciolo 1984; Hibbert 1985, 274-85; Petter 2000). The Complete Etchings, Köln, Florescu, F.B. La colonne de Marc Aurèle / 2, Iconographie / Depeyrot, Georges. La colonne fut érigée sous le règne de l'empereur Trajan, de 107 à 113, peut-être par l'ingénieur Apollodore de Damas, dont le rôle dans la construction de l'ensemble du forum de Trajan n'est pas bien établi : il est possible que celui-ci ait seulement supervisé les travaux. Kings François I in 1540 and Louis XIV in 1665-70 had partial cast sets made of the frieze and pedestal (Santi Bartoli was working for the latter monarch), and a complete cast of pedestal and shaft was created for Emperor Louis Napoléon III in 1861-62. “There wasn’t a building remaining in the entire fortress. “Everything was dismantled by the Romans,” Florea says. obs.). La colonne était à l’origine couronnée d'une statue de l'empereur Trajan, revêtu d’une armure, tenant une lance et un globe[1]. Trajan’s Column, Scene CXLV.12-3 (areas of uneroded patina). Thus recording of the sculptures of Trajan’s Column through casting preserved much which has been subsequently degraded. It sometimes seems as if there are as many interpretations as there are carved figures, and there are 2,662 of those. Later editions appeared in 1585 and 1616. (ed. Are the besieged Dacians reaching for a cup to commit suicide by drinking poison rather than face humiliation at the hands of the conquering Romans? Agilent J&W HP-5ms is a (5%-phenyl)-methylpolysiloxane phase with very low bleed characteristics that is ideal for GC/MS. Trajan’s war on the Dacians, a civilization in what is now Romania, was the defining event of his 19-year rule. la colonne coclide Il a été inauguré en 113, avec une spirale longue frise qui est enroulée, à partir du bas vers le haut, sur la tige entière de la colonne et décrit le guerres de Dacia (101-106), Peut-être basé sur les perdus commentaires Trajan et peut-être aussi par l'expérience directe. Manufattura e diffusione dei calchi’, in Festa Farina, Délivré, J. 2001, 269-80, Catalogo 1982: Museo della Civiltà Romana. In A.D. 101 Trajan fortified the border and invaded with tens of thousands of troops. In the cast gallery of the Thorvaldsensmuseet in København (Denmark) there is a complete cast of Cichorius Scene LXXVIII (Victory and trophies), plus casts of one or more human heads (total 83), and some other details such as horses and military standards (pers. La place occupée par la colonne au coeur du forum de Trajan et de la capitale de l'empire, rappelant à tous ceux qui fréquentaient les portiques et les bibliothèques du forum, la gloire et la virtus du prince (3) et sa toute puissance judiciaire, en est l'illustration- 3. One set which covers the entire frieze and one side of the pedestal went from the papal collections to the Museo della Civiltà Romana at EUR, Rome (Catalogo 1982, 594-605; D’Amato 2001, 234-36). When it was built, the column stood between the two libraries, which perhaps held the soldier-emperor’s account of the wars. Trajan, who ruled from A.D. 98 until 117, when he fell ill and died, expanded the Roman Empire to its farthest boundaries. You can’t believe a word of it.”, Coulston argues that no single mastermind was behind the carvings. 1986: Bunte Barbaren. Two years of war led to a negotiated peace, which the Dacians promptly broke. “The campaigns were dreadful and violent,” says Roberto Meneghini, the Italian archaeologist in charge of excavating Trajan’s Forum. At this time, and on subsequent fieldwork visits, kind assistance and detailed discussion on sculpting aspects was also offered by Cinzia Conti. It’s also told in 155 scenes carved in a spiral frieze on a monumental column. Some of the latter were displayed as early as 1987 (pers. Optimo principi. The volume edited by Settis contained a coverage taken and reproduced in colour, printed on high chalk content paper (Settis 1988). And because Trajan left Dacia in ruins, the column and the remaining sculptures of defeated soldiers that once decorated the forum are treasured today by Romanians as clues to how their Dacian ancestors may have looked and dressed. enregistrement des Fastes ostienses il a également rendu la date d'inauguration, le 12 mai. This is displayed as separate cast sections mounted in helical progression running four times up and down the medial basement gallery which links the two wings of the museum. L’Architettura di Apollodoro nella Cultura Classica, Roma, Ficacci, L. 2000: Giovanni Battista Piranesi. The latter is based on the photographic collection of the sculptor Peter Rockwell, and further information about his work and additional resources for studying the sculpting of Trajan’s Column are available with a mass of detailed images on the project website of Art of Making in Antiquity: Stoneworking in the Roman World. How it was made and how accurate it is remain the subjects of spirited debate. The few tourists speak in hushed voices. Secondly, it is important to observe the surface colours of the original sculptures. 1990a: ‘Three new books on Trajan’s Column’, D’Amato, C. 2001: ‘La Colonna Traiana: da simbolo ideologico a modello materiale. Unfortunately, due to the publisher’s inattention, only two sides of the pedestal was included in the folio (Martines 2001a, Pl. Along with the Museo della Civiltà Romana, the V&A Cast Court and the Ashmolean Museum (Oxford, UK), this outstanding institution is one of the few research and teaching collections to survive the decline in fashion and consequent destruction of casts in the 20. 1. Classicising rulership style and celebration of victory in war could all be inspired by the best preserved edifice honouring Rome’s optimus princeps. Pietro Santi Bartoli published the most influential set of engravings, with a commentary by Giovanni Pietro Bellori (based on Chacón’s work), in 1672. This gives some idea of the scale of the original building, and has the three-dimensional relationships between helical windings and Scenes. 1576: Historia utriusque belli Dacici a Traiano Caesare gesti, ex simulachris quae in columna eiusdem Romae visuntur collecta, Roma, Cichorius, C. 1896-1900: Die Reliefs der Traianssäule, Berlin, II 1896, III 1900, Coarelli, F. 1980: Guida archeologica di Roma, Roma, Coarelli, F. La colonne de Trajan était une nouveauté dans l’art antique. A contemporary claimed that Trajan took 500,000 prisoners, bringing some 10,000 to Rome to fight in the gladiatorial games that were staged for 123 days in celebration. Sarmizegetusa was their political and spiritual capital. email: jcnc@st-andrews.ac.uk, Numerous artists and antiquarians sketched scenes from the reliefs of the Column from the later 15, Sketches and engravings, such as Santi Bartoli’s coverage of the Trajan’s Column frieze, or the 18, Despite their limitations and stylization, the Santi Bartoli engravings of the Column frieze continued to be reproduced, and to be redrawn in simplified form, even after the advent of photographic recording (e.g. Scaffolding enclosing Trajan’s Column, looking WNW (1984). Scaffolding enclosing Trajan’s Column, looking NW (1984). The Study of Trajan’s Column. Appartenant au nouveau forum construit par Trajan et son architecte Apollodore de Damas à la suite des victoires sur les Daces, la colonne Trajane, inaugurée en 113 de notre ère, occupait le centre d'une cour située entre deux salles de bibliothèque, l'une grecque et l'autre latine, à l'arrière de la grande basilique (basilica Ulpia) qui barrait le fond du forum de Trajan.